New Grevillea Artwork Underway

This week I 've had my head down,  working on the next Grevillea piece and specifically the stitching ....  

The design has come together with the applique and reverse applique completed.  This piece at 20" x 30"  is somewhat  larger than much of my recent work ... so its taken a bit longer to get to this stage and takes more time to stitch and there is a deadline looming!  Great motivation!!

The big questions now revolve around the quilting and choice of thread color.  After a few experiments,  I've settled on the stitching around  the flowers and the reverse applique shapes, but have yet to decide on the other areas!!  

                                  © CarolynCollinsArt 2017  'Grevillea 8  Detail'   

So back to the stitching .....   Thanks for reading ....  CC

Studio Art Quilt Associates (SAQA) 2017 Benefit Auction

This is the 11th year of the SAQA Benefit Auction,  which raises funds to support SAQA's exhibitions, publications and educational programs.

Last year more than 430,  12" square quilts were included in the auction ... the largest number ever!!   "When the auction started no-one knew how it would be received or how much fun it would be to keep creating quilts year after year"

SAQA reports that there are 15 artists who have donate every year since the start in 2006 andI thought it would be fun to have a look at some of the artworks donatedby these amazing artists ......

This is my second year of donating to the Benefit Auction ....

I've sent this piece for the 2017 Auction .......  it's one of the grevillea samples that I made earlier in the year ....

Grevillea

'Sunset Bronze'

CarolynCollinsArt 2017

You can find out more about the SAQA Benefit Auction and see all of this years donations at www.saqa.com

Perhaps you might find an artwork you love !!! 

Thanks for reading .....  CC

Art on the Wall

This week I've been focused on getting 'art on the wall'!

The first task was to deliver artworks to Jing Jo's Cafe in Kangaroo Valley for the new show 'Still Life' which was hung this week.  If you happen to be in the vicinity I would highly recommend dropping in for a coffee and checking out the art!!

I sent across three of my framed and stitched 8" x 10" monoprints .....

as well as a larger, pieced and stitched monoprint  16" x 20"  mounted on a stretched canvas ....

Stitched Life in Blue 1

It's always a challenge for me to photograph groups of artwork on the wall  ... we have an old house with lots of timber panels and strips of timber dividing the wall space.  

So while I was browsing the internet for some ideas, I came across a free app called WallApp which lets you upload a photo of your artwork so you can see what it looks like in a room/living space - there are half a dozen room options and you can also upload a photo of your own room.

Here are a few examples ......

It's very easy to use and quite fun!!! 

This led me to thinking about the reasons for choosing a piece of original art/textile art for your home.  The following are my thoughts about the possible reasons .....

The textile art creates a mood or feeling that can evoke memories or take you to another place.  It adds personal character,  can provides a color palette for the room and makes a room feel finished.  It's something to look at and contemplate,  especially  if it is a work that speaks to you .....  and can inspire and foster creativity.

Textile art particularly,  adds warmth and a softness,  it creates a connection with the makers hand that has created the work and to a long tradition working with fabric and stitch.  

What draws you to a particular piece of art/textile art ... something you own or would like to??  Please comment on why you have chosen to buy a  particular piece of art....

Thanks for reading .... CC

An Afternoon with my Gelliplate .......

This week I spent an afternoon printing with my gelliplate!   I tried some experiments and worked  on printing some fat quarters of fabric for the next grevillea design ....

The experiments were inspired by a short online class with Carla Sonheim,  that I purchased recently. 

Carla's technique produces some lovely abstract monoprints with a landscape feel so I was keen to try it out.  Here are some of the results ......

I think  these have a lot of possibilities as backgrounds for a new idea I have .......

The fat quarters for the new grevillea design are printed using grevillea leaves and a couple of abstract stamps.  I wanted a subtle, blended print without too much contrast,  to use in the background.  Printing fat quarters means repeated placement of the gelliplate and sometimes this results in a build up of paint in some areas.  I tried lightly washing off the excess which worked very well and helped with the blended effect I was looking for .......

A good afternoons work I think!

Thanks for reading ......CC

New WindingWay Landscape

This new piece has been reworked a few times .... I was pretty happy with the landscape background but struggled to find a fabric for the overlay.  In addition,  this piece at 16" x 16"  is larger than the previous works in this series so that added an extra challenge for the composition!!

                                 'Winding Way in Pink'  © CarolynCollinsArt 2017  16" x 16"

The larger size of this piece called for a rethink which resulted in the addition of some new elements ... a more complex landscape background and in this piece a digital image printed on organza which adds  a nice sense of depth.  

I thought it would be interesting to look at the development of this series to date ... starting with the first compositions at the bottom left   ......

The next step is to develop and refine  this larger design .......

Thanks for reading ...........  CC

A Question of Background ....

The most recent pieces in my Grevillea series have used strip pieced backgrounds ... a mix of hand dyed and hand printed fabrics to add some variation.  

This approach worked nicely but what if I 'push the boundaries'  a bit ...

Artists often create compositions from small areas of detail in a drawing or painting, scaling up the size to create and new composition.  We used this approach in my weekly drawing class recently.  

We started with a still life drawing and then using a small area of detail from that drawing created a new composition and then added tone and color ......

From one of my Grevillea drawings I made a number of detail sketches looking for compositions with 5 to 7 shapes.  I picked  3 to try out and made them up this week .....

I'm pleased with the way they look ... the shapes and the color combinations.  The plan is to stitch my Grevillea flower drawing onto these backgrounds ... so I'll need to work out the color and weight of thread and the best way to place and mark the design.   

I'm hesitating a little bit about the stitching so I keep telling myself I can always make a new background piece if I mess it up!!!!  

I'll let you know how I get on......

Thanks for reading  .....CC

On the Wall ... Turquoise and Green

My design wall is usually filled with work in various stages of design and construction ...   at the moment there are a couple of pieces.... monoprints in blues and greens .... basically complete with stitching and facings, just waiting for the next steps in the process.

I recently completed work on the latest Stepping Stones piece "Lake in the Clouds"  which includes some favorite turquoise fabric, the same fabric that I had use to complete the monoprints.

The two monoprints looked a bit unbalanced when I hung them as a pair because of the way I'd placed the turquoise fabric.  But when I set them with the new Stepping Stones piece and a miniature piece, I thought they looked terrific as a set .......

                " Turquoise and Green"  © 2017 CarolynCollinsArt   Set of 4 pieces

This got me thinking ....  while many of my pieces are relatively small they have the potential to work really well together in sets.  

 I've recently been working on upgrading my Pinterest site so I've added a new board  "On the Wall"  and  started pinning ideas for grouping art on the wall  ... here is a link to the board if you are interested ....

 https://au.pinterest.com/carolyncollinsa/art-on-the-wall/

Do you have any tips or suggestions for hanging groups of art or photographs ?

Thanks for reading   .... CC

Stepping Stones in Greens

Over the last year or so I have been working on my Stepping Stones series and have recently completed a couple more pieces.....

I love making these pieces because they let me try out all sorts of ideas on a small scale within the parameters of the series,  but I often wonder what others make of this work ..... 

When I was reading the Introduction in the David Hockney exhibition (see previous post)  I came across a description of his approach by Simon Maidment, Curator of Contemporary Art at the NGV    " [David Hockney] does things his own way and forges ahead in the direction he finds most interesting"  and this encourages me to keep going  .....  

Having made a total of 16 Stepping Stones pieces I thought it would be fabulous to see them all in one place ..... like the David Hockney portrait series at the National Gallery of Victoria !!!

The best I've been able to do is to create this gallery block.  Here are a collection of the green pieces   .....

   © CarolynCollinsArt  2017 'Green Stepping Stones'  Hand dyed & printed fabric, batik

It's got me thinking about a larger Stepping Stones design .....

Do you have a series you are working on??

Thanks for dropping by ...CC

New Grevillea .... experiment

With all my new found Photoshop Elements skills .... I am doing the second module of the "Photoshop Elements - Essentials 2"  online class with the Pixeladies,  Deb Cashatt and Kris Sazaki ....  I've been playing with ways of creating simplified/abstracted grevillea designs!

This is terrific fun and as you might imagine I now have a stack of design possibilities!!!!   

The next questions is how to translate these into fabric!!

My first idea is to try a version of shadow applique ...  working from the abstract design  to create a base layout made up of geometric shapes and then combining this  with a digital image of the flower printed on organza,  as an overlay.

I found an interesting piece of fabric with a range of shades of  plum and pink .... not a piece that inspired me when I dyed it some time ago but perfect for this experiment and a soft mottled green to use for the background.  After fusing the geometric shapes .... some very thin and too small to applique with my usual technique ... I added to overlay of printed organza.  This is how it turned out ......

"Grevillea 6"

CarolynCollinsArt © 2017

8" x 16"

Hand dyed and printed fabrics, digital image

After some time contemplating the possibilities, I decided on a mix of hand stitching  .... a running stitch and some seed stitches  and a simple horizontal machine line to finish.   The overlay makes working with thin strips and small shapes very stress free!!!  

I like the results of this experiment .....  but there are more ideas to try !!!

What have you been experimenting with lately??   

Thanks for dropping by .....CC

Learning More About Working with Photos

Photographs play an important role in my art practice.  They are the way I record my inspirations and allow me to test out designs and ideas.  I use Adobe's Photoshop Elements software and have basically found my way around the program by trial and error and with a bit of help from Mr Google!!!

I recently discovered a series of online classes run by Kris Sazaki and Deb Cashatt ... the Pixeladies and enrolled in Photoshop Elements Essentials 1 

I've just completed the first week of classes and have to say this is one of the best investments I have made in my tech knowledge.  The class is structured around an excellent series of video lesson with follow up notes and homework.

 Already I have learned a much better way of resizing my images .. an increasingly frequent task for website/blog and submissions for exhibitions and shows and one which will have real benefits for the loading speeds on my website. 

Discovered the Camera Distortion Filter so I can now straighten images like this one.....

I sometimes like to photograph work lying flat to really highlight the stitching but often find the image is a bit distorted by the angles ... no longer!!

and I've learned how to add a watermark to an image .....

Next week .......   planning quilting lines, testing cut fabrics and auditioning colors are on the list.  I can't wait !!!

I would highly recommend these classes if you want to learn more about working with your photos and Photoshop Elements!!  

What tech classes do you recommend??? 

Thanks for dropping by ....CC

Green Replenished!

After all that green work,   the fabric stash was looking decidedly bare ....  so this week I have started dyeing fabric for the work ahead ........  I say 'started'  because I've already made inroads into this batch!! 

I dyed about 10 mtrs of cotton poplin,  mostly fat quarters but also some half metre and a few metre pieces for larger backgrounds   ... I love the surprising combinations that come from Ann Johnston's "color parfait's" (See Anne's  book  'Color by Accident'  - one of my favorite references on fabric dyeing).  I worked with mixes of a number of green and  blue dyes for most of the fabrics then added a bit of antique gold and peach!

Just as well I made plenty of greens ... quite a few pieces are just right for the Grevillea piece I have just started work on!!!  The next batch of colors is planned as soon as the new PDF fabric arrives!!!

Clearly my recent work says 'green' is high on my list of favorites!!!  What does your work say about your favorite color??  

Thanks for dropping by ............  CC

'Green' Collection ....

The 'Green'  Exhibition opened this week at Jing Jo Cafe in Kangaroo Valley and I was thrilled that a number of my pieces were included ......

Here is my 'Green' collection............

.... a set of 4 Stepping Stones pieces - 'Winding Way' , 'Peaches & Cream' - Grevillea 3 and 'Down by the Bay' - Mangroves 2.

 Even more exciting,  my grevillea piece was chosen as the image for the show ..... Thank you Belinda for all your hard work bring this exhibition together!

If you are in the vicinity of Kangaroo Valley I highly recommend the exhibition. ... there is an excellent variety of work on show .... and the coffee and food at Jing Jo's is excellent.  Here is the link to their site if you need their address and opening times ....  http://www.jingjo.com.au

If you visit,   I'd love to know what you think???  CC

Stitch First Applique Later!

With my new Grevillea piece I reversed my usual construction process by stitching the background before the applique!  Now this is not a new idea but one I've avoided because I like the flexibility that finalising the composition first allows.  Stitching first requires a bit of a leap of faith!  

Step one was stitching the background.  Doing the stitching first makes the process very easy, no shapes to navigate around so the stitching is very fluid and it's easy to achieve a good result.  It also helps to integrate any additions/variations in the background design.

With this piece I added the applique shapes in two steps.  Firstly the main structure of the flower and the leaves and secondly the overlapping flower shapes, stitching them down as I built up the design.

If you have followed previous posts you will know that I have had quite some issues with skipped stitches.  These skipped stitches occur because of movement in the layers as the needle  passes through multiple layers and are very frustrating!!!  By stitching the background first this issue is not longer of concern!!   So making this piece has been a much more enjoyable experience .......

                   'Peaches & Cream' - Grevillea 3   © Carolyn Collins 2017   16" x 16"  

Have you tried stitching first and what did you think about the process???

Thanks for dropping by .....  CC

New Year, New Work and Exciting News for AW5!!

Happy New Year everyone   .... I hope 2017 is full of creative inspiration and lots of good things!!!

To start the year as I mean to continue ......

I have finished a new piece in the Stepping Stones series.   I have been experimenting with new backgrounds for my stepping stones designs.   In this piece I have used  painted fusible as the background  for the open road design .....

                                    'Misty Morning'  © Carolyn Collins 2017   12" x 12"  

I have painted the fusible with diluted acrylic paint.  I have tried to suggest a landscape ..  I tried various  strengths of paint  ....  the addition of some water helps to create an interesting patterning on the fusible and  gives the end result a painterly quality.  I fused the painted surface to a pale green hand dyed fabric.   For the next in the series I'm going to try a seascape!

The good news this week is that the Australia Wide Five Exhibition (including my Forest Pansy piece)  which is touring Australia will also tour in the US this year to the AQS Quilt Week shows in Grand Rapids, Mi chigan;  Fall Paducah, Kentucky and Des Moines, Iowa!!!  Congratulations to the OzQuilt Network organisers .... amazing to have our exhibition showcased in the US!!!

Pushing the Boundaries - Karin Olah

This week I have been inspired by the wonderful work of  textile artist Karin Olah.

I first came across one of her floral works with a wonderful sense of dimension and was intrigued to know how she made it ....

                                                   Magnolia  - Karin Olah

Karin describes her work as "fabric collage painting".  In an interview some years back she says " I cut out my brushstrokes instead of painting them on"......

As I searched to find more of her work I discovered a series of wonderful landscape pieces .....

                                                      Blue Flag Day  - Karin Olah

Karin describes her process ..... " I start with rough outline, a drawing or a little under-painting, and then I start layering fabric.  I soak each piece in rice starch and then squeegee it onto the canvas.  I use opaque and transparent fabrics so you can see a little history underneath in building up the shapes and background."

I love the different textures the different fabrics bring to this work ... it's all about the fabric!

Karin's website is a visual delight ....  you will find it at www.karinolah.com 

Thanks for dropping by ....  I hope you are inspired!!  CC

Monoprints in Green

This week I've been concentrating on two things ....

Completing  the stitching on a pair of small monoprints in green .....

 I'm really pleased with the subtle quality of these prints and I'm enjoying the stitching!  

The second focus for this week was the opening of our drawing class exhibition today .....  I helped with the hanging of the exhibition yesterday and was very interested to see how our class teacher,  an exhibiting artist herself,  approached this task.  There was a wide variety of art works to hang and the end result is a terrific display and it all came together very nicely ... here are a couple of photo's from the day .....

So its been a good week.  Thanks for dropping by ..............CC

Grevillea Series #2

This week I've been working on stitching the second Grevillea  piece ....   the applique and the quilting stitches .....

                                                              Stitching  "Grevillea 2"

It's all come together well with no dramas, even with the layer of printed organza.  Using reverse applique for the background has meant there are not too many layers to stitch through!!  Here is the result ................

       "Grevillea 2"       © CarolynCollinsArt 2016    16" x 20"   Hand dyed and printed fabric

I'm happy with this piece  ....  although I can see things I could do differently!!   So there  is definitely another piece to follow ..... its a Series thing!!!  

Just the backing and facing and a "name"  for the piece to go ....

Thanks for checking out my new work .....  CC